"A Voice for the Silenced: Darin J. Sallam's 'Churching of Women' Breaks Barriers at Busan Asian Project Market"
In a cinematic triumph that echoes through the corridors of time, Jordanian filmmaker Darin J. Sallam is making history with her second feature project, "Churching of Women," marking the first-ever Jordanian entry at the prestigious Busan Asian Project Market. This powerful film tells the story of Fadia, a pioneering female author trapped in an asylum by the patriarchal forces that seek to silence her voice.
As I sat down with Sallam in a quiet corner of the market, surrounded by the vibrant energy of international filmmakers and industry professionals, she shared with me the personal journey that led her to create this film. "It became personal to me when I felt the responsibility as a woman and as an Arab to make this film and to use cinema as my tool to do her justice," Sallam explained, her eyes shining with conviction.
The story of Fadia is one of injustice, of a woman's voice being silenced by the very society that should have amplified it. Set in 1938, in the Levant region encompassing present-day Palestine, Israel, Lebanon, Syria, and Jordan, "Churching of Women" is a poignant reminder of the struggles women have faced throughout history. Fadia, a young woman grieving the loss of her parents, turns to her cousin for solace only to find herself trapped in an asylum while her cousin seizes her inheritance.
Sallam's film is not just a historical drama but also a powerful exploration of the complexities of female identity and the ways in which women have been marginalized throughout history. "I wanted to tell a story that would resonate with women from different cultures and backgrounds," Sallam said, her voice filled with passion. "I believe that cinema has the power to break down barriers and challenge societal norms."
The making of "Churching of Women" was no easy feat. Sallam faced numerous challenges as she navigated the complexities of colonial-era Jordan, where women's voices were often silenced or erased from history. But it is precisely this determination and perseverance that make her film so compelling.
As I spoke with industry professionals who had seen the film, they echoed Sallam's sentiments about the importance of telling stories that amplify women's voices. "Darin J. Sallam's 'Churching of Women' is a testament to the power of cinema in challenging societal norms and giving voice to those who have been silenced," said one producer.
The Busan Asian Project Market, which has become a launching pad for many international films, has provided Sallam with a platform to showcase her work to a global audience. As she prepares to take on new projects, Sallam's commitment to telling stories that amplify women's voices is clear. "I believe that cinema can be a powerful tool for social change," she said, her eyes shining with conviction.
As I watched the film's trailer, I was struck by the haunting beauty of the cinematography and the raw emotion of the performances. Sallam's "Churching of Women" is not just a film; it's a testament to the power of women's stories to break barriers, challenge societal norms, and inspire change.
In a world where women's voices are still being silenced, Darin J. Sallam's "Churching of Women" is a beacon of hope, a reminder that our stories matter, and that cinema can be a powerful tool for social change. As the film makes its way to international screens, it is clear that Sallam's commitment to telling stories that amplify women's voices will continue to inspire generations to come.
Variety
This article was written by Jenny S. Li
*Based on reporting by Variety.*