In a year marked by political division, film critic Aisha Harris argues that simply "raising questions" is no longer sufficient for impactful cinema. Her review, published December 29, 2025, highlights films that took definitive stances. Harris points to James L. Brooks' "Ella McCay," a political rom-dramedy set in 2008, as an example of a film failing to resonate due to its nostalgic and arguably naive portrayal of the past.

Harris contends that the best films of 2025, including "Eddington," "Bugonia," and "Sinners," actively engaged with contemporary issues. She suggests that audiences are seeking narratives that offer perspectives and challenge the status quo, rather than merely presenting ambiguous scenarios. The review specifically criticizes "Ella McCay" for its protagonist's vague political affiliation and idealized view of a bygone era.

The critique sparks debate among film enthusiasts and industry professionals. Some agree that films have a responsibility to reflect and comment on societal issues. Others maintain that cinema's primary function is entertainment, and that overt political messaging can alienate viewers.

This shift in critical perspective reflects a broader trend of increased social awareness and demand for accountability in media. AI algorithms are increasingly used to analyze audience sentiment and predict the success of films based on their perceived social impact. This development raises questions about the potential for AI to influence creative decisions and shape the future of filmmaking.

The discussion is expected to continue as awards season approaches, with many anticipating that films with strong political viewpoints will be favored. Film studios are likely to reassess their strategies, potentially prioritizing projects that address relevant social and political themes.