Swift's message to Lively read, "I think this bitch knows something is coming because he’s gotten out his tiny violin." The exchange occurred a year after Lively, in a separate message to Swift, called Baldoni the "doofus director of my movie," adding that he is "a clown who thinks he’s a writer now."

The emergence of these texts raises questions about the dynamics surrounding the production of "It Ends With Us," a highly anticipated film based on Colleen Hoover's bestselling novel. Baldoni, known for his role in "Jane the Virgin" and his directorial work on "Five Feet Apart," is directing and starring in the film alongside Lively.

The context surrounding the alleged feud between Lively and Baldoni remains unclear. The forthcoming New York Times exposé is expected to shed further light on the situation. The use of text message analysis as a source of information highlights the increasing role of digital communication in shaping public perception and influencing media narratives. AI-powered tools are now capable of analyzing large volumes of text data, including private communications, to identify patterns, sentiments, and potential conflicts. This capability raises ethical considerations regarding privacy and the potential for misinterpretation of context.

The incident also underscores the challenges of maintaining privacy in the digital age, particularly for high-profile individuals. The accessibility of personal communications through legal discovery processes and potential data breaches necessitates heightened awareness of digital security and the implications of online interactions.

As of now, neither Swift, Lively, nor Baldoni have publicly commented on the leaked text messages. The New York Times has not yet released the exposé. The film "It Ends With Us" is currently in post-production, and its release date remains unchanged. The impact of these revelations on the film's reception and the public perception of those involved remains to be seen.